Digital EQs are also transparent, meaning they won’t colour your sound. They provide continuous control over frequency and offer surgical precision for cutting and boosting.
Modern digital EQs are what we usually reach for when mixing. Digitalīest for: General applications, surgical cuts and boosts, transparency
Modern EQs include the kind that come stock with your DAW as well as more specific types such as linear phase and dynamic. And, with their visual component, it’s easy enough to see the target frequencies as well as hear them. Modern EQs are powerful, transparent, and capable of making surgical changes that just were not possible in the hardware days. We’ll organize them into two broad categories: modern and vintage. Now that we have our basics out of the way, let’s look at five types of EQ. Shelf filters (also called high- and lowpass filters) are for cutting all frequencies below or above the cutoff point. Notch filters are the ones that you use in the middle of the frequency band and are represented by a bell curve. For comparison, graphic EQs (the kind you find on stereo equipment) have set frequencies and no Q control.Įqualizers usually have notch and shelf filters. It also allows you to adjust the Q, which is the ratio of the centre frequency to bandwidth. These provide continuous control over the centre frequency to be adjusted as well as bandwidth, or how wide the change is. Most equalizers that we use in music production are parametric EQs. It allows you to adjust the volume level of frequencies in an audio signal, either by boosting (raising the volume) or cutting (lowering the volume). This may seem an obvious question but just to avoid confusion, let’s address what an EQ is. As always, click on any image to see a larger version. Note that it’s not intended to be an exhaustive list. In this beginner’s guide to EQ, we’ll look at some of the most common types of EQ and when and how to best use them. And there are even cases where a standard EQ could be hurting things. While there’s nothing wrong with using a general EQ for most applications, it’s possible that you could get better results from a different kind. If you always reach for the same EQ no matter the sound source or situation, you may be doing your mix a disservice. There are so many different types of EQ, how do you know which one is right? In this tutorial, we break down some common types of EQ and highlight when to use them.
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